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# Anna Lerchbaumer

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- [Home](https://annalerchbaumer.com/) - PULLING THE PLUG (SOLO) 2024 | 05 | 09 - 2024 | 05 | 31 DISCOTEC, WIEN DUO WITH MATILDA ODOBASHI 2025 | 04 | 25 - 2025 | 05 | 15 SIZE MATTERS, WIEN WHAT HAPPENS BETWEEN THE KNOTS 2024 | 10 | 11 KUNSTRAUM, SCHWAZ GROUP SHOW SEPTEMBER 2025 ZURICH
- [About](https://annalerchbaumer.com/about) - In my work, I explore the intersection of gender, technology and environmental issues, drawing inspiration from the historical and contemporary dynamics of femininity, domesticity, and the role of technology in both shaping and obscuring these narratives. I am fusing traditional lathe-turned wood with contemporary elements like 3D-printed components and metal and result are colorful skulptures. In
- [Portfolio](https://annalerchbaumer.com/portfolio-2) - all exhibitionspublicationssound performancesworks noisy things to last works toxic temple: MESS works technically female works spikes works exploration through sound sound performances Kipp-Pille und Ohrstöpsel works 3 verpasste Anrufe am Babyphone – Stillen ist Stillen exhibitions works 3 verpasste Anrufe am Babyphone – Sanftes Wiegen exhibitions works 3 verpasste Anrufe am Babyphone – Alles schaukeln
- [portfolio-3](https://annalerchbaumer.com/portfolio-3) - All exhibitionspublicationssound performancesworks works noisy things to last works toxic temple: MESS works technically female works spikes sound performances exploration through sound works Kipp-Pille und Ohrstöpsel exhibitions works 3 verpasste Anrufe am Babyphone – Stillen ist Stillen exhibitions works 3 verpasste Anrufe am Babyphone – Sanftes Wiegen exhibitions works 3 verpasste Anrufe am Babyphone –
- [Imprint](https://annalerchbaumer.com/imprint) - Informationspflicht laut §5 E-Commerce Gesetz, §14 Unternehmensgesetzbuch, §63 Gewerbeordnung und Offenlegungspflicht laut §25 Mediengesetz. Medieninhaber/Herausgeber:Anna LerchbaumerWestbahnstraße 211070 Wien Haftung für Inhalte dieser WebseiteWir entwickeln die Inhalte dieser Webseite ständig weiter und bemühen uns korrekte und aktuelle Informationen bereitzustellen. Leider können wir keine Haftung für die Korrektheit aller Inhalte auf dieser Webseite übernehmen, speziell für jene die seitens
- [Publications](https://annalerchbaumer.com/publications) - falling objects publications love, lullabies and sleeplessness publications sound performances toxic temple publications music for the future, atami, japan 2019 sound performances electrical disobidience publications sound performances

## Portfolio

- [untitled](https://annalerchbaumer.com/portfolio/untitled)
- [spikes](https://annalerchbaumer.com/portfolio/flickering-red-lights-and-dead-batteries-copy-copy) - gedrechselte Holzskulpturen lackiert mit Metallrahmen und Schaumstoff (c) Tina Kult
- [exploration through sound](https://annalerchbaumer.com/portfolio/exploration-through-sound) - Sound performances here and there.
- [noisy things to last](https://annalerchbaumer.com/portfolio/cant-help-falling-copy) - Video loop 20 min, 4K, HD sound, 2022Die Arbeit besteht aus einem Video, das kleidoskopartig Aufnahmen von Elektroschrott unter anderem Abspielgeräte und Lautsprechern zeigt. Verdrängte Objekte collagieren sich autopoetisch als Sinnbild für die aufgelösten Hierarchien der gewesenen Konsumobjekte. Die Dinge werden mit hoher Wahrscheinlichkeit die Menschheit überdauern und somit eine Nachricht an das Nachuns sein.Ein
- [toxic temple: MESS](https://annalerchbaumer.com/portfolio/technically-female-copy) - Performative Installation at Donaufestival, Forum Frohner in collaboration with Kilian JörgExhausted soils, acidified seas, polluted atmospheres. The repressed is coming for us. We can no longer escape the poison. LET’S GET SICK WITH IT!A space where we bring our inner contradictions, absurdities, and lived risks to the altar. A solidarity with the facts. We enter
- [technically female](https://annalerchbaumer.com/portfolio/technically-female) - This audio work brings the mythical voice of “Elektra” to life – an archaic figure that serves as a container for an all-encompassing technological enterprise. This mother figure reflects the female personification of electricity and technology, a concept introduced at the dawn of electrification to alleviate fears of modernization. Her maternal, fairy-like role became a
- [electrical disobidience](https://annalerchbaumer.com/portfolio/love-lullabies-and-sleeplessness-copy-2) - Antennen, Metalobjekte, SoundinstallationAusstellung und Soundperformance //Kontrollieren uns die elektromagnetischen Wellen am Rande unserer Wahrnehmung? Ist die mächtige Kraft Dienerin oder Herrin? Was ist das Ziel des nervösen Fleisches – aus Metall und mit Kunststoff überzogen – dessen Gedanken durch Technologien und Gehirne gespült werden?//ELEKTRA ist eine zentrale Steuerung, und sie ist überall. Ein und aus. Häufig
- [3 verpasste Anrufe am Babyphone - Stillen ist Stillen](https://annalerchbaumer.com/portfolio/3-verpasste-anrufe-am-babyphone-stillen-ist-stillen) - Stillen ist Stillen Gedrechselte Milchdrüsen, schwarzes MDF Metallgestell mit Babywiegenmotor, schwarzes MDF, gedrechselte Holzelemente, Gummibälle Produced for and shown at the groupexhibition in Neue Galerie Innsbruck: GESTURES OF AFFECTION Laura Cemin, Robert Gabris, Anna Lerchbaumer, and caner teker, curated by Bettina Siegele The exhibition Gestures of Affection is devoted to the practice of loving, to
- [3 verpasste Anrufe am Babyphone - Sanftes Wiegen](https://annalerchbaumer.com/portfolio/3-verpasste-anrufe-am-babyphone-sanftes-wiegen) - Sanftes Wiegen – ein Aufprall und die Hilfe der Hormone Metallgestell mit Babywiegenmotor, schwarzes MDF, gedrechselte Holzelemente, Gummibälle Produced for and shown at the groupexhibition in Neue Galerie Innsbruck: GESTURES OF AFFECTION Laura Cemin, Robert Gabris, Anna Lerchbaumer, and caner teker, curated by Bettina Siegele The exhibition Gestures of Affection is devoted to the practice
- [Kipp-Pille und Ohrstöpsel](https://annalerchbaumer.com/portfolio/flickering-red-lights-and-dead-batteries-copy) - gedrechselte Holzskulpturen lackiert 20x40cm mit orangen Seil mit Metallrahmen 70x60cm, 36x18cm gelb mit Metallrahmen 50x50cm
- [3 verpasste Anrufe am Babyphone - Alles schaukeln](https://annalerchbaumer.com/portfolio/socket-scultpures-copy) - Alles schaukeln – FOMO trifft auf RealitätAutomatische Babywiege, weiße Skulptur, Regenrinnenraupe Produced for and shown at the groupexhibition in Neue Galerie Innsbruck: GESTURES OF AFFECTIONLaura Cemin, Robert Gabris, Anna Lerchbaumer, and caner teker, curated by Bettina Siegele The exhibition Gestures of Affection is devoted to the practice of loving, to tenderness as affirmative action, and
- [music for the future, atami, japan 2019](https://annalerchbaumer.com/portfolio/love-lullabies-and-sleeplessness-copy) - ARCADE AND ATAMI COAST STAGE, TOKYO mit Andreas Zißler https://velak.klingt.org/program/ayumu01.4/
- [sonic shrine](https://annalerchbaumer.com/portfolio/sonic-shrine) - multichannel sound installation, wood sculptures, loop 26:00 min, 2021 the installation called „sonic shrine“ shows an assemblage of loudspeakers on turned and colourfully painted wooden sculptures. the traditional craft technique as a frame for a multi-channel sound composition. the work plays with different qualities of loudspeakers such as acoustic artefacts and their electromagnetic aura. the
- [love, lullabies and sleeplessness](https://annalerchbaumer.com/portfolio/love-lullabies-and-sleeplessness) - Anna Lerchbaumer arranges two 15’ tracks for voice and objects on love, lullabies & sleeplessness. “No More Weekend (Sounds of Twins)” is two babies’ coos, coughs, cries, crawling, congested breathing, sneezes, squelches, spitups, hiccups, and panting collaged to sound naturally but also chopped and repeated rhythmically or overlaid for a harmony of cries. briefly hear
- [U.G.A.I. - sound-object-theater](https://annalerchbaumer.com/portfolio/u-g-a-i) - Technology transforms how we work: Machines are no longer only able to perform manual labour, they also perform complex cognitive tasks. But what would happen, if bots began to stand up for their own rights? The Union of Global Artificial Intelligence (U.G.A.I.) is a labour union founded by intelligent machines and systems that, for the
- [flickering red lights and dead batteries](https://annalerchbaumer.com/portfolio/flickering-red-lights-and-dead-batteries) - solo exhibition at: bb15 – space for contemporary art an installation that generates sound and plays with points in time, time spans and duration. it uses electricity as a performer and understands the physicality of infrastructure as a colorful material. exploring the sites and displacement of energy, electrical or mechanical. making it visible and audible.
- [super high and extremely deep](https://annalerchbaumer.com/portfolio/super-high-and-extremely-deep) - videoinstallation at The Galaxy Museum of Contemporary Art, Chongqing – China.
- [socket scultpures](https://annalerchbaumer.com/portfolio/socket-scultpures) - video HD, stereo sound, 7:15 min, 2022 electricity from the socket is one of the resources we rely on without thinking. a thought experiment on how we can still use the numerous sockets. art for the socket. is the warm candlelight powered by electricity or does it generate heat and light independently of the holder?
- [toxic temple MESS](https://annalerchbaumer.com/portfolio/toxic-temple-mess) - a book presentation, an installation and a durational performance to worship the toxicity of the now. impro, sonic experiments and a holy mess. this project is a collaboration with Kilian Jörg.
- [search_me_as.jpeg](https://annalerchbaumer.com/portfolio/sear_me_as-jpeg) - Vienna-London, London-Pongau. a permanent record of movements, creating additional digital raw-material from recordings at a London security fair. this is traced back to its deposits in Austria and then dissected. SEARCH-ME-AS.JPEG, is blending representatives of the security industry with lush alpine meadows and the noise of data carriers. for the exhibition at the galery 12-14
- [can't help falling](https://annalerchbaumer.com/portfolio/cant-help-falling) - Installative soundperformance in collaboration with Anja Nowak.
- [falling objects](https://annalerchbaumer.com/portfolio/falling-objects)
- [HYPERmnesia](https://annalerchbaumer.com/portfolio/hypermnesia) - video HD, stereo sound, 13 min, 2021HYPERmnesia is the dissection of the screen surface. this is not text but pixels behind glass. This is where HYPERmnesia begins: a sensual exploration of a world in which memory, landscape and their pictorial medialisation collapse. a walk, a scan of a forest surface, a high-resolution record of the
- [toxic temple](https://annalerchbaumer.com/portfolio/toxic-temple) - leached soils, acidified seas, polluted atmospheres. we are haunted by the repressed. we can no longer escape its poison. LET’S GET SICK WITH IT! a shrine for the inner contradictions, absurdities and risks we are indulging into on a daily basis. a solidarisation with the facts. we enter wastelands instead of unspoiled soil and let
- [a look, a signal and zero](https://annalerchbaumer.com/portfolio/a-look-a-signal-and-zero) - Anna Lerchbaumer invites the participants into a world of ongoing equilibrium and the interval that articulates the ‘magnetism’ of sound, in order to find poetic meaning in materials and flows of everyday. Her work appears as dreamlike scenario in which fiction and reality meet, transforming into a rhythmic narrative.in the mixed-media installation, an antenna is
- [toxic temple](https://annalerchbaumer.com/portfolio/toxic-temple-2) - toxic temple is an artistic and philosophical adventure into the toxicity of the now – edited together with Kilian Jörg in the series Edition Angewandte.

## Portfolio Categories

- [exhibitions](https://annalerchbaumer.com/portfolio-cat/exhibitions)
- [sound performances](https://annalerchbaumer.com/portfolio-cat/soundperformances)
- [works](https://annalerchbaumer.com/portfolio-cat/works)
- [publications](https://annalerchbaumer.com/portfolio-cat/publications)

## Portfolio Tags

- [publications](https://annalerchbaumer.com/portfolio-tag/publications)